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At the heart of all the fretting over populism there is a dispute about the essential meaning of citizenship. Populism is often defended by reference to its root, populus, and presented as ordinary people taking control. The reality is that the last thing on earth that a supporter of populism wants is control over their own or the affairs of the republic; they are passive citizens. When thinking people complain of the lies and simplicities which fuel populist campaigns, they fail to appreciate that this content is not directed at them. They are irrelevant onlookers to a play for the support of fellow citizens who have a fundamentally different outlook. Crucially it is journalists who ensure that content reaches its intended target.

You see, one view of citizenship pays little or no heed to meaningful participation – to deliberation – and cedes thinking to an elite. Because adherents complain about elites (variously labelled the establishment, the government or the political class) a fake anti-authoritarian image can appear; in truth it is more like petulant but dependent children complaining about their parents. It is a view that reduces citizenship to a desire to be well managed or led by a patriarchy which the dependent, passive citizen hopes will be benign.* There is competition then for the support of these citizens.

Competition for the votes of such citizens is characterised by political communication which plays down, ignores or lies about risk. The most recent example is Brexit. Passive citizens were told that they could leave the EU without fear of adverse consequences. They could have been asked to assess the risks and decide on balance what would be best but that would not have served them. It would have made them unhappy and prompted cries for “leadership”.

The first Syriza election win in Greece was another example. Frightened citizens were told that everything would be fine, that they could be delivered unproblematically from austerity. It turns out that a whole swathe of the coalition that was Syriza was fully aware of the risks, were talking among themselves about the Drachma and an isolated fresh start but they stayed quiet rather than perturb the simplicity.

In Ireland we are burdened with the same authoritarian nonsense. When our entirely predictable property crash finally arrived, citizens who would prefer to be untroubled by risk assessment were offered a wide choice of potential parents. All said that there was an easy way out of austerity, that a country in desperate need of loans to pay welfare and state salaries could refuse to accept the conditions imposed by its one remaining lender and that there would be no adverse consequence.

It is difficult to imagine a political controversy which does not involve the consideration of consequences, of advantages for some and disadvantages for others. However, the idea that a controversy over matters as large as the above could be presented by anyone as having small or few consequences is not merely absurd. It is an authoritarian gambit.

The citizen who doesn’t want to be troubled with participation, argument, evaluation, judgement is a willing target for the authoritarian who will reassure, will relieve them of meaningful citizenship by offering leadership. This is the authoritarian who tells them not to worry, that nothing bad will happen, who talks in terms of being in touch with the people, who will likely even try to identify as anti-establishment. Crucially, complex argument and possible consequences will be dismissed as “scaremongering”, while expertise will be spurned as “establishment”.

Familiar? Of course it’s familiar; it’s the parody of political discourse that has become not merely acceptable but normal. If you are not a citizen in need of a leader but one who wants to participate in the affairs of the republic, wants to have all the information and arguments in order to discuss what matters before coming to your decision, you may wonder how the repeated lies and simplicities could gather supporters. You may even have a haughty disdain for your fellow citizens, questioning their intelligence. The reality is that many citizens seek soothing codology because they prefer a quiet life. Moreover, the populist leader knows this and has no intention of wasting time in addressing the republican citizen. Indeed, there is no need to do so because the number of passive citizens is sufficient for success at the polls and may constitute a majority, even a large majority

There’s nothing new about concern over citizen passivity. It has a track record from before J.S. Mill’s fear of the herd, through the Frankfurt Marxists, on even into music with Roger Waters *, inspired by Neil Postman’s Amusing Ourselves to Death, and on it goes. In short, it’s a staple in theorising about democracy and the nature of citizenship. **

Finally, where do journalists come into this? Well, they have a problem and a decision to make: they cannot at the same time serve the republican citizen while holding the passive citizen’s attention or serve the passive citizen without dismissing the needs of the republican citizen. Generally they stay out of trouble by covering everything in a fair, objective, impartial way and that’s one reason why public discourse and republican participation are threatened.

 

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* A note to leftists who might be tempted to lead populism: The citizen who wants to be patronised is working class only in the way that the term is used by pollsters.

** https://www.youtube.com/watch?v=lsspXqCe4kI

*** http://plato.stanford.edu/entries/citizenship/

I recall Brendan Halligan saying at the time that the one good thing about Charles Haughey’s ascent to Taoiseach was that it would help polarise Irish politics. It didn’t.  I recall too that Frank Cluskey regarded him as a test instrument; if there was any doubt about a policy but Charles Haughey disliked it, very likely it was the correct thing to do. I was relatively young then and, finding Charles Haughey ridiculous, I struggled to understand his appeal. Later it occurred to me that he was mad. (If you doubt this, find a picture of him before his mansion with his horse.) Of course the realisation that he was mad was of little value in trying to understand his appeal. That understanding took years and another similar Taoiseach in Bertie Ahern.

The key to understanding the phenomenon of a Taoiseach who is without political values and claims to be neither left nor right is the preoccupation with aristocracy and leadership of the nation*. The main virtue of the RTE TV drama series, “Charlie”, is that it makes this plain. The importance of the drama right now is that the Irish attitude to national leadership has not changed. Ireland’s history, and the view of politics accepted by the majority and reinforced by journalists has led to this point.

The leader is required to deliver a modicum of self-respect to a nation held down by outsiders and their cronies within. These cronies – “the establishment” – characteristically exhibit foreign traits and “betray” the “people”. The leader is required to be kindly and to have a common touch, delivering to some people and some communities, while offering hope of a delivery to each one. When Charlie wants Ireland to “dine at the top table”, he epitomises national abasement.

Charles sought to be the chieftain of the Irish nation. Today the model remains one of ruler and ruled with “ordinary people” or sometimes “ordinary working people” seeking relief, reassuring promises, favours, and gifts from their chieftain or aristocracy. Lately the would-be chieftains strike their version of the traditional anti-establishment pose by deriding “the political class”. The term offers a distant whiff of Marxism while ensuring that the concept of class is never explored. Then they get on with precisely what FF and Charlie inherited from their SF origins: they insinuate themselves into communities, take up causes and make representations. They have it appear that nothing can be “delivered” without pressure and that they are best at pressurising.  It is a depressingly long way from citizens discussing and deciding on the direction of their republic. The whinging cry now, as in the 70s and 80s, is for leadership.

The state’s founding myth continues to figure in selecting leaders.  In 1916 Ireland had The Easter Rising (Irish: Éirí** Amach na Cásca).  The cultural base to that was a harking back to mythical Irish chieftains. The cruelly executed signatories to the Easter Proclamation*** became lost leaders, revered for representing the nation.  The drama, Charlie, showed that by the early 80s an invitation – in familiar “rebel song” format – to Arise and Follow Charlie (It featured the line, “Hail the leader, hail the man”. Jesus wept!) was still compelling.**** Today we have calls for new leaders and new parties to come and save the people who have been “betrayed” by leaders who ignore the “principles”, dreams and aspirations of 1916. (There is even a nationalist group styling itself “Éirigí”.) The tradition of rebellion in Ireland is essentially nationalist, a desire to be ruled by “our own”. Though Irish nationalists – in common with British opponents of monarchy – like to call themselves “republican”, their use of the term drains it of its participative meaning.

In the first episode of the TV drama, as Charlie called the race together under his emerging leadership, he stood before an enormous picture of Pádraig Pearse.  With the 2016 centenary approaching the trick is being reworked time and again.

Many found the TV drama difficult to follow or disliked the reliance on actors who featured in the crime series, Love Hate. More importantly, the drama was criticised for its stereotypes and gormless script. However, the real subjects of the drama (Charles Haughey and co.) performed for the most part as stereotypes who spoke rubbish which voters found agreeable. Moreover, the drama speaks to Ireland’s present predicament as citizens seek new saviours.

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* Conor Cruise O’Brien wrote that Mr Haughey “was an aristocrat in the proper sense of the word: not a nobleman or even a gentleman, but one who believed in the right of the best people to rule, and that he himself was the best of the best people”. – quoted in Dermot Ferriter’s The Transformation of Ireland 1900 – 2000 pg.561

**  https://glosbe.com/ga/en/%C3%A9ir%C3%AD

*** The text of the 1916 proclamation: http://www.iol.ie/~dluby/proclaim.htm

**** Donie Cassidy teamed with Dublin folk singer Pete St. John to co-write ‘Charlie’s Song’ (better known as ‘Arise and Follow Charlie’).